In his teens, Paul took an interest in photography, filmmaking and woodworking. However, it was not until after his graduation from high school that he began to paint. Paul began to attend drop-in life drawing classes at the Federation of Canadian Artists. He attended regular classes and seminars given by artists such as Alan Edwards, Harry Hiene, Kiff Holland, Robert Genn, and Elizabeth Smily.
In 1985, Paul was accepted into the commercial art program at Capilano College in North Vancouver. Here, he studied to become a graphic artist – with a heavy personal emphasis on illustration. During his third year at Capilano College, Paul met and studied under Paul Degan – an excellent and inspiring teacher:
“I have always felt a tremendous debt to Paul Degan. He believed in my artistic talent and pushed me back towards painting at a time when I was prepared to consign my personal art to mere hobby in favour of graphic work. I still recall how he took me into his office to critique my life drawings…after a long contemplative pause, he turned to me and said “You really have got a special talent – don’t waste it on commercial art…Paint! Paint! I believe that at that moment my future as an artist was cemented”.
After completing college, Paul pursued a career as an illustrator and graphic artist, but only as much as was necessary to support himself while he developed his painting technique.
Paul became a regular attendee at the Basic Inquiry Studio on Main Street in Vancouver and in the years to follow taught several classes there, including portrait painting and human anatomy. He also taught art courses for the Vancouver School Board Continuing Education Program including drawing and watercolour painting.
Paul’s interest in photography had also been re-kindled while in college and in 1990 he became a founding director of the Vancouver Photographic Society and Exposure Photographic Gallery on Beatty Street. Throughout the 1990’s Paul exhibited artworks in cafes and restaurants. This brought not only public recognition and some sales, but also attracted the attention of several art agents that led to long lasting professional relationships
In 1993, Paul bought a 30-foot sailboat and for the next three years explored the waters of southern British Columbia. His paintings of this period often reflect the many shapes and moods of the coast and the Gulf Islands. However, living on a boat eventually proved to be impractical therefore Paul moved back to land, into a condominium in Vancouver’s West End – reuniting his home and studio.
Throughout the 1990’s, Paul built strong friendships with art collectors and agents. Their enthusiastic support and ongoing promotion of his work led to a steadily increasing stream of sales and commissions. By 2000, Paul began exhibiting in commercial galleries in British Columbia, which further increased his work’s exposure.
Paul has been able to combine his painting career with a personal interest in history and travelling, something that is reflected in the many paintings he has done of rustic European locations. Picturesque harbours, hilltop villages, rural villas and dramatic renaissance statues and church decorations have found their way into Paul's paintings. From northern France to Portugal to Tuscany, Paul has wandered down many narrow lanes guided only by a desire to seek out and capture the beauty of these places.
While travelling to far off lands feeds Paul's appetite for the ancient, exotic and foreign, he has never grown bored of exploring subjects close to home. Paul has hiked along the west coast, climbed sheer rock faces, and even scuba dived beneath British Columbia's icy salt water, and it is often this affinity for nature that emerges in his paintings. Paul revels in the abstract realism of tree branches as they twist and reach skyward, or in the interplay of light and shadow in the sunbathed leaves.